Excerpt from The Millions:
Having abandoned what [Jonathan Franzen] called “the depressed literary inner city,” we have pushed out from the suburbs into even more discrete exurbs, our literature as ersatz as the McMansion subdivisions that riddle the landscape, our homes decorated with the inoffensive West Elm trappings of workshop fiction. This is obviously a very tricky place from which to write the sort of sweeping, universal literature that generally gets called art — in fact, given all the forces aligned against you, both cultural and economic, you’d almost have to be a fool to try. Might as well just scroll through your Netflix queue.
For the full, read here.